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Atopia is an artist initiative dedicated to the development of experimental film and video art in Norway.

 

Atopia sign+shadow

 

Happy Summer!

 

 

- ATOPIA Gallery is under construction during this summer. The Gallery in the form of a new grey box will open in September.

 

- ATOPIA is also developing a new project for art in public space called The Porch. You will hear about it soon.

 

 

 

 

 

 

 

3 Artists Finissage

 

 

An Exhibition of Video Installations by:                                                                                                                  (14 - 28 March 2014)

Haraldur Karlsson

Dimitri Lurie

Tor Jørgen van Eijk

 

Finissage: Friday, 28 March at 19:00

With Inger Lise Hansen in Conversation with the artists

 

 

Gallery hours: 12:00 – 16:00 (Tue – Fri)  and by appointment: Email: info(AT)atopia.no

 

“In place of a hermeneutics we need an erotics of art.” Susan Sontag’s most challenging slogan is the ending note of her ten commandments: Against Interpretation.

On this note Atopia wishes to invite you to an exhibition of video installations by three Oslo based artists whose works indicate intense engagement and exploration of various aspects of the moving image.

The exhibition and its treatment of art works aim at highlighting “erotics of art” and pick up where Sontag left behind 50 years ago. In other words to rescue art from the grip of interpretation, or at least make an attempt.

We live at a time when art works are aggressively instrumentalised in every possible direction and they are commodified in every imaginable position.  It has become more than a challenge to speak against interpretation. What we call art today is buried under tones of linguistic debris and commercial interests.

But the irony of the situation is that we are all involved in this process; all of us admirers who speak on behalf of art. Whether it is a philosopher, an art critic, an art historian or someone from another interpretive discipline does not matter.  All contribute as much as they can to increase the heavy load of interpretation.

And we often forget to ask whose challenge is this to set up a barrier to slow down or counter this flow? Who is going to take the risk of speaking against interpretation today? Is this the task of art institutions, the museums and commercial galleries and such? Is it the job of another philosopher? Or is this the responsibility of the independent artist and artist initiatives? The answer is clear. But they say our wings are clipped away!

The works in this exhibition belong to a group of artists who have been working primarily with the moving image for more than a decade. Departing from the everyday images their works are highly manipulated and transformed into abstractions that defy interpretations.

These are three of Oslo’s most resilient artists, highly specialized in moulding their own images of duration.

 

Dimitri Lurie: Ginger Space Waltz, 2012

Haraldur Karlssen: Brain, 2014

Tor Jørgen van Eijk: Non-narrative Linear Logic, 2008-10

 

Haraldur Karlsson (1967, Reykjavik, Iceland) holds a diploma in Mixed-Media from the Icelandic art school in Reykjavik and BA diploma in Media-Art from AKI Enchede, Holland. Further to this he studied Sonology over 3 years in the Royal Conservatorium Den Haag under the guidance of professor Clarence Barlow. For many years Karlsson worked at the Icelandic Academy of Arts as the head of Media-Lab, which he had designed. Karlsson has had exhibitions, performances and lectures in Iceland, Holland, Belgium, England, Czech Republic, Finland and Norway. He is currently based in Oslo and works on several video-art commissions. More info is available on his website www.haraldur.net

 

Dimitri Lurie (1970, Leningrad) is a visual artist working with film, video and photography. He has a degree in Cybernetics from St-Petersburg Polytechnic University and later studied Philosophy and Theology at the Institute for Philosophy and Religion (1997). Lurie is a self taught artist and since 1998 has been working with film and video. He was a guest artist at The National Academy of Fine Arts in Oslo (2001) and he is the curator of the international art exchange project “Cultural Transit”. Lurie’s works have been shown and awarded in various international film festivals and art institutions. He lives and works in Oslo. For more information, please see: www.dodofilm.org

Tor Jørgen van Eijk (1977, Cali, Colombia/Bergen) received his Diploma from The National Academy of Fine Arts in Oslo in 2004. Since then he has worked actively as an artist exhibiting both in Norway and abroad. His works have been part of Gallery exhibitions, international video festivals and art fairs. Van Eijk works as an artist/curator and lives and works in Oslo.

 

 

 

 

 

 

 

 

 

 

 

Atopia is pleased to invite you to an exhibition opening and book launch:

 

Maleri med tid

Painting with Time

by Per Kvist 

 

 with works by:

Kjell Bjørgeengen

A K Dolven

HC Gilje

Jeremy Welsh

 

 Maleri med tid – Om modernisme, filmisk avantgarde og videokunst

(Painting with Time - On Modernism, Avant-Garde Film and Video Art) 

 

 Thursday, 6 Feb 2014 at 19:00

( 6 - 21 Feb. 2014)

Gallery hours: 12:00 - 16:00  (Tue - Fri)

 

 

                                                     Maleri med tid

Painting With Time is part of Atopia’s “Retrospective: Film & Video Art, Norway” project. This is a project for in-depth examination of the historical development of artists’ film and video works in Norway. Initiated in 2007 it is a long-term research project of Atopia that aims to create new historical visions and approaches surrounding artists’ film and video works.

 

 

Through Painting With Time Per Kvist writes a new version of the history of Visual Arts and the Moving Image. Kvist approaches the works of Kjell Bjørgeengen, A K Dolven, HC Gilje and Jeremy Welsh in the light of Modernism, Avant-garde Film and early Video Art. The book is anchored in an idea about historical repetition, at the same time exposing how we encounter the past with the influences of our own time. An important proposition is related to the idea of musicality of the image and modernism as an impure visual phenomenon. Here we can even talk about a “musicalisation of visual art” in the 20th and 21st Century. In the understanding of media, it becomes evident that these can be viewed in the light of ideas about the specific and mixed media, but also the shifting state of media. Media are alive and in a state of constant change. They seem to endure, preserve and absorb the past into the present time. They act creatively and give space for new specificities in a movement towards the future.

Per Kvist (born 1965) is an art historian and writer focusing on the visual arts and moving images. Kvist is a former Dean at Bergen Academy of Art and Design and leader of Tromsø Kunstforening. For many years he was a member of Arts Council Norway, where he chaired the Board for arts and crafts. Kvist is currently Dean of the Faculty of Fine Arts at the University of Agder and Chairman of Kristiansand Kunsthall.

 

            

 

 

 

 

 

 

Book Animation

                                                                                        Now Available Online!

 

 

    

Retropective1

Retrospective Exhibition, Part 1

Retrospektiv: Film- og videokunst i Norge, 1960-90

30 Years of Motion

 

Utstillingen Retrospektiv: Film- og videokunst i Norge er et resultat av et forskningsprosjekt i regi av Atopia som tar for seg kunstneriske film- og videoarbeider fra 1960-tallet. Formålet er å utforske og utvikle den historiske konteksten for eksperimentell film og videokunst i Norge. Dette er første del av en utstillingstrilogi og retter oppmerksomheten mot arbeider produsert mellom 1960 og 1990.

Mange av kunstnerne i denne utstillingen er velkjente videokunstnere. Andre hører mer hjemme på kino enn i gallerier eller museer. Noen av filmarbeidene har aldri før vært plassert i en museumskontekst. De er likevel bemerkelsesverdige verker som hovedsakelig ble laget for kino på 1960- og 1970-tallet. Kjent som “frie kunstneriske kortfilmer” er de nært knyttet til samtidskunstneres filmatiske verker. Som dokumentararbeider er de kompromissløse i sine synspunkter, filmatiske stil og tilnærming, og som kortfilmer faller de utenfor den narrative produksjonsstandarden.  

Utstillingen består av 64 filmer og videoarbeider av 36 enkeltstående norske kunstnere foruten ti videoportretter fra 2010 og 2011.

 

                                                            Running

 

                                                                          still from Running, Inghild Karlsen, 1988

 

 

 

               

 

 

 

© Atopia Stiftelse, 2013